Design by Giovannoni Stefano, 1998. By Alessi.
Funnel in PMMA. An internationally-famous character, in the hands of Giovannoni Stefano and Miriam Mirri the puppet named Pinocchio becomes Pino, the smiling funnel with a long nose. Read More
Design by Giovannoni Stefano, 1998.
Funnel in PMMA. An internationally-famous character, in the hands of Giovannoni Stefano and Miriam Mirri the puppet named Pinocchio becomes Pino, the smiling funnel with a long nose.
Dimensions: 6.5" W X 5" D X 5" H
Designer: Stefano Giovannoni
Born in La Spezia, 1954, Stefano Giovannoni graduated in Architecture in Florence in 1978 and lives and works in Milan. Since 1979 he has taught and done research at the Florence Faculty of Architecture; he is master-professor at Domus Academy in Milan and at the Università del Progetto in Reggio Emilia. He has been invited for workshops at the Royal College of Art in London, at the Academy O. Kochoska in Wien, at the Hochschule der Bildenden Kunst in Saarbrücken and at the Design Quest in Osaka. Giovannoni works as an industrial and interior designer and architect and has worked with companies including Alessi, Flos, Magis, Seiko, Pulsar, Cappellini, Kankyo, and Saab. In 1991 he designed the Italian Pavillon at the exhibition Les Capitales Europeennes du nouveau design at the Centre Georges Pompidou.View other products by Stefano Giovannoni
Designer: Miriam Mirri
Miriam Mirri was born in Bologna in 1964. She lives and works in Milan. She graduated at the Superior School for Anotomic Design and studied communication and design at the Universita del Progetto in Reggio Emilia. Mirri worked in London with Nigel Coates and has been assistant to Stefano Giovannoni for many years. She designs objects for companies such as Mandarina Duck, Mitsubishi and United Pets. She also holds design courses at the Universita del Progetto in Reggio Emilia.View other products by Miriam Mirri
Alessi is a family owned Italian design company, founded in 1921. Giovanni Alessi, a talented sheet metal worker, produced items by hand for the table and home out of copper, brass and nickel-silver. He was later joined by his son Carlo who was responsible for many of the designs produced in the 1930s and early 1940s. In the mid 1940s Alessi began to work with outside designers. The current Alessi catalog is the result of a collaboration with over 500 designers from all over the world.
"A true work of design must be able to move people, to convey feelings, to trigger memories, to surprise, to go against the grain. From this point of view, design intended to conjure up images in people's minds, which makes them a bit happier, still has tremendous potential." — Alberto AlessiView other products from Alessi
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