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Ulm Multifunctional Stool, Ulm Stools & Max Bill Ulm Stools | YLiving
Ulm Multifunctional Stool
By Max Bill, from wohnbedarf
$370.00
free shipping on most orders
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Design by Max Bill, 1954.
By Wohnbedarf.

The Ulm Multifuntional Stool (Ulmer Hocker) was designed by Max Bill, first Vice-Chancellor of the Ulm School of Design, together with Hans Gugelot for the students of the college, and was produced in Bill's own carpentry workshop with wood that had been donated. Light and robust, the Ulm Multifuntional Stool can be used as a convenient seat, side table or shelf unit. Crafted with solid natural Beech and Spruce.

Dimensions
  • overall: 15.5" W X 11.6" D X 17.3" H
  • weight: 4.6 lbs
Material(s)
Solid natural Beech and Spruce
Item Number
AMC-WB-10-1100
Model(s)
WB-10-1100

Design by Max Bill, 1954.
By Wohnbedarf.

The Ulm Multifuntional Stool (Ulmer Hocker) was designed by Max Bill, first Vice-Chancellor of the Ulm School of Design, together with Hans Gugelot for the students of the college, and was produced in Bill's own carpentry workshop with wood that had been donated. Light and robust, the Ulm Multifuntional Stool can be used as a convenient seat, side table or shelf unit. Crafted with solid natural Beech and Spruce.

wohnbedarf

"Let lifestyle and home decor merge together" was the credo of wohnbedarf founders Werner Max Moser, Sigfried Giedion and Rudolf Graber. As early as 1933, wohnbedarf moved into the studio designed by Marcel Breuer at Talstrasse 11 in Zurich. Some of the pieces of furniture that were produced specifically for wohnbedarf by renowned artists, architects and designers such as Max Bill, Le Corbusier, Alvar Aalto, Marcel Breuer, Ludwig Mies van der Rohe, Richard Paul Lohse, Willy Guhl or Gottfried Honegger have long since become absolute classics.

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Max Bill

Max Bill (1908-1994) was a prolific architect, graphic designer and sculptor. Born over a century ago, he was first a silversmith. Chancing a lecture by LeCorbusier, Max Bill was inspired to study architecture. As a student at the Bauhaus and practitioner of the modern style, he balanced free and applied arts, philosophical thinking and practical application. A champion of the sans serif script, Max Bill was also a publicist, designing letterhead, logos and posters. He taught art and design by emphasizing studio practice and encouraging artists to apply their ideas to the manufacturing industry.

From 1944 onwards he was active as a product designer. He founded and built a college of design at Ulm which influenced German post-war designers including Dieter Rams. It was during this period that Max Bill undertook a more philosophical study of time and his 1957 Wall clock and 1962 Chronoscope are culminations of this work. Later in life, he explored sculpture and painting, became a member of the Swiss parliament and continued his passion of teaching environmental design. Max Bill's life bridged every decade of the 20th century and left a holistic mark in the important years of modern Swiss and international design.

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