
Michele de Lucchi Vase
This shapely and sophisticated ceramic vase features a double skirted base and is available in two ceramic finishes. From designer Michele de Lucchi. Read More
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Overview
This shapely and sophisticated ceramic vase features a double skirted base and is available in two ceramic finishes. From designer Michele de Lucchi.
Beautiful alone or filled with watered flowers, the Michele de Lucchi Vase is made using authentic artisan techniques.
Specifications
Material(s): Ceramic
Dimensions: 11.8" Dia X 16.5" H
Models
ML-VBIA ML-VNER
Designer: Michele De Lucchi
Born in 1951 in Ferrara, Italy, Michele De Lucchi studied in Padua and Florence, graduating with his architectural degree in 1975. A prominent symbol in experimental architecture, Michele De Lucchi was well known in the Cavart, Alchymia and Memphis movements. Not only has he designed lighting fixtures and furniture for the most prominent producers in Europe, he has developed many theories of the evolution of the workplace, and accomplished "experimental products" for Compaq Computers, Philips, Siemens and Vitra.
In 1973 Michele De Lucchi partnered with other designers and architects to create Cavert, which was considered a radical design group during that time. Kartell discovered his artistry in 1978 and hired him in Milan to design for Centrokappa. He later met up with Ettore Sottsass and joined the Studio Alchimia designers. Between his many creations he became a design consultant for Olivetti in 1979. In 1990 Michele De Lucchi founded a small lighting company, Produzione Privata, to produce lighting that could disregard the requirements of mass production and be made by craftsmen using traditional techniques.
View other products by Michele De LucchiManufacturer: Produzione Privata
After the criticisms and confirmations, the exaltation of design and the conclusion of Memphis, Michele De Lucchi founded Produzione Privata, taking up the urge for change that was in the air at the turn of the 90's.
Aware of the gap that had been created between design and production, he set out to rediscover the role of the architect as an intellectual who conceives and fulfills his projects with a more responsible approach to the quality and beauty of things.
What had started as a small-scale craft-oriented production of experimental projects traced by his pencil very soon proved to be an opportunity to make objects using technologies on the margins of industrial production, but treated within the logic of series.
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