George Nelson Propeller LampPrice: $365.00
Design by George Nelson, 1947.
The name Propeller aptly describes the "movement" in the lines of the supporting steel structure of this pendant light from George Nelson's acclaimed Bubble Lamp series. Soft white polymer over steel framing.
The collection was originally designed in 1947 and produced through the late 1970's and remains one of the most defining lighting collections in mid-century modern design, it boasts lasting appeal and quality construction.
Reissued by Modernica to its original specifications, using the original Howard Miller tooling. Part of the permanent collection of the Museum of Modern Art in New York. Six feet of white cord is included in the assembly kit. Brushed Nickel ceiling plate.
Made in the U.S.A.
Material(s): Polymer, steel
- 14" H x 21" Dia
- Ceiling Plate: 5.25" Dia
Bulbs: 1 X 150W medium incandescent bulb (not included)
Beautiful but smelly, would not buy again
By: T.S., Homeowner (western mass)
It looks beautiful, but off-gasses for a long time. Have had the light installed for one year, and it still smells like a vinyl shower curtain. Not recommended for anyone concerned with interior air quality!
By: Alfonso L., Designer (WOODSIDE NY 11377)
PROPELLER LAMP WAS VERY GOOD, AND SO BRIGHT... GOOD DESIGN AND ALSO GOOD COLOR!!! I LIKE THEM SO MUCH
Love this amazing piece of light sculpture
Once I pulled the George Nelson propeller lamp out of the box, my wife and I knew it was going to be special. We like the whole bubble lamp series, but the propeller one interested us the most. Lit up, it fills the room with a soft, diffuse, beautiful light and takes on an entirely new dimension.
Modern, yet evergreen look
By: KT, Homeowner (Los Angeles, CA)
My wife was the one who chose this lamp, but after installation, I'm impressed. It adds character to our dining room, giving is a modern, yet evergreen look!
Designer: George Nelson
When writing about the course of his remarkable 50-year career, George Nelson described a series of creative "zaps"--moments of out-of-the-blue inspiration "when the solitary individual finds he is connected with a reality he never dreamed of."
An early zap came in the 1930s, when he was an architectural student in Rome. Before returning home, an idea struck him: He would travel Europe and interview leading modern architects, hoping to get the articles published in the U.S. He succeeded, and in the process introduced the U.S. design community to the European avant-garde. This set in motion a sequence of what he called "lucky" career breaks that were really the inevitable outcomes of his brilliance as a designer, teacher, and author.
The first break was being named an editor of Architectural Forum magazine. Working on a story there in 1942, he was looking at aerial photos of blighted cities when--zap!--he developed the concept of the downtown pedestrian mall, which was unveiled in the Saturday Evening Post.
Soon after, another zap led to the Storagewall, the first modular storage system and a forerunner of systems furniture. The Storagewall was showcased in a 1945 Life magazine article, causing a sensation in the furniture industry. Herman Miller founder D.J. DePree saw the article and was so impressed that he paid a visit to Nelson in New York and convinced him to be his director of design, which spurred Nelson to found his design firm, George Nelson & Associates. The warm personal and professional relationship between Nelson and DePree yielded a stunning range of products, from the playful Marshmallow Sofa to the first L-shaped desk, a precursor of today's workstation.
Nelson once wrote that Herman Miller "is not playing follow-the-leader." That's one reason why George Nelson & Associates worked with Herman Miller for over 25 years as they shepherded design into the modern era.
During this same period, George Nelson & Associates also created many landmark designs of products, showrooms, and exhibitions for a variety of companies and organizations.
Nelson said that for a designer to deal creatively with human needs, "he must first make a radical, conscious break with all values he identifies as antihuman." Designers also must constantly be aware of the consequences of their actions on people and society. In fact, he declared that "total design is nothing more or less than a process of relating everything to everything." So he said that rather than specializing, designers must cultivate a broad base of knowledge and understanding.
Prix de Rome for architecture, 1932
Best Office of the Year, New York Times, 1953
Gold Medal, Art Directors Club of New York, 1953
Good Design Award, Museum of Modern Art, 1954
Trailblazer Award, National Home Furnishings League, 1954
Chairman, International Design Conference in Aspen, 1965, 1982
Scholar in Residence, Smithsonian Institution National Museum of Design, 1984
Lifetime Achievement Award, American Institute of Graphic Arts, 1991
Permanent collections of the Museum of Modern Art, Brooklyn Museum of Art, Philadelphia Museum of Art
Nelson did so as few are able, and, with the help of well-timed zaps, he helped define modern, humane design.
- from HermanMiller.comView other products by George Nelson
Manufacturer: George Nelson Bubble Lamps