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Sale Aeron® Basic Graphite

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Design by Don Chadwick and Bill Stumpf, 1994. Made in the U.S.A. by Herman Miller. Revolutionary when it was introduced in 1994, Aeron kick-started the way we sit and remains more than relevant in today's modern workspace.... Read More
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Herman Miller
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Aeron® Basic Graphite
Now: $585.65
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Aeron® Basic Graphite

Item #: HMD-AE211PW-GRAPHITE-WITH-GRAPHITE-FRAME

Availability: Check Availability for specific models in stock + ready to ship. Pellicle Classic fabric not in stock will ship within 2-3 weeks. Pellicle Tuxedo/Waves fabric not in stock will ship in 4-5 weeks.


Select/View your Options below:

01. Model:

AE211PW - Standard Tilt, Fixed Arms, Padded Armpads

02. Size:


03. Back Support Option:


04. Base Frame Finish:

G1 - Graphite Base/Frame

05. Caster Selection:


06. Armpad Finish:

BK - Black

07. Pellicle Fabric:


08. Note:

This item is custom made just for you. As such, it is non-cancellable and non-returnable.
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Overview

Design by Don Chadwick and Bill Stumpf, 1994.
Made in the U.S.A. by Herman Miller.

Revolutionary when it was introduced in 1994, Aeron kick-started the way we sit and remains more than relevant in today's modern workspace. Aeron's pioneering ergonomic design is one of the most recognizable office chairs on the market. See all Aeron Chairs and visit our Herman Miller Chair Guide for more details.

Aeron adapts naturally and adjusts precisely to fit people of all sizes and postures doing all kinds of activities, all day long. It offers superior comfort with Pellicle®, a form fitting, weight distributing, transparent, textural material, that allows for ventilation. The adjustable Kinemat® tilt lets users move naturally and effortlessly, from forward-leaning through reclining. Innovative suspension and easy-to-use adjustment controls provide healthy comfort and balanced body support. The high, wide, contoured back takes the pressure off the lower spine. Armrests slope slightly down in the back for the most natural and comfortable support. The "waterfall" front edge of the seat takes the pressure off thighs, to keep blood circulating so users stay alert and focused.

Aeron's Basic Model Features:

  • Tilt limiter that allows the sitter to adjust the tilt tension
  • Fixed padded arms
  • Choice of size A, B or C to fit the sitters' needs
  • Choice of standard seat back or Adjustable Lumbar Support upgrade
  • Choice of casters for carpets or hard floors
  • Selection of colors and patterns in Pellicle - a form fitting, breathable fabrics that adapt to virtually every body and keep the sitter cool and focused

Notes:

Aeron ships knocked down and requires minor assembly (attachment of the back only).

Specifications

Material(s): Aluminum, steel, plastic and foam. Up to 94 percent recyclable at the end of its useful life.

Dimensions:

  • Size A/Small: 41"max H X 25.75"W X 15.75"D X 14.5-19.5"SH
  • Size B/Medium: 42"max H X 27"W X 17"D X 15-21"SH
  • Size C/Large: 45"max H X 28.25"W X 18.5"D X 15-21"SH

Download Specifications:  1  2  3

Models

AE111PW-A-N2-G1 AE111PW-B-N2-G1 AE111PW-C-N2-G1 AE111PW-A-AJ-G1 AE111PW-B-AJ-G1 AE111PW-C-AJ-G1

111
Don Chadwick

Designer: Don Chadwick

Don Chadwick isn't one of those designers who say that their "real" studio is in their mind. Chadwick's real studio is in Santa Monica, thank you, and anyway, he prefers to call it "an experimental lab."

"We're set up to get dirty and take chances," he says.

His lab apparatus includes saws and grinders, lathes and drill presses and vises--and not one computer-numerically-controlled anything. Computer technology, Chadwick allows, is great for some things, but when he hears someone suggest that a new chair could have just as effectively been designed by computer, he says, politely, "You're out of your mind!"

"The only way to be sure a chair is comfortable is to actually sit in it and make changes along the way," Chadwick says. "A computer can't deal with the subtleties of chair design. Good chairs are too complex."

Too complex? Yes, and not just for computers.

"Most industrial designers don't take furniture design seriously," he says. "They're not trained to get into that kind of detail. It's too personal, too much like surgery. And besides, you have to be in love with this kind of work."

Chadwick's love for furniture design goes back to his childhood, when his cabinetmaker grandfather taught him how to use the tools of the trade--hand tools that required skill, precision, and patience. Later, unlike the other industrial design students at UCLA in the mid-1950s, he focused on furniture. And after hearing a Charles and Ray Eames lecture there, Chadwick was convinced: Furniture offered designers, even industrial designers, the chance to use materials in new, innovative ways--and to make a "real difference" in people's lives.

He attributes at least some of this optimism to the "LA recklessness" he's experienced as a lifelong resident of Southern California. "There's less fear of failure out here, so people are more apt to take risks. It's fertile ground for innovation."

For over two decades now, Chadwick has had a partner in recklessness. "Herman Miller isn't afraid to take chances on new ideas. That's why the company's been successful for so long, and that's one reason why it's challenging to work for them."

The Santa Monica-Zeeland connection continues, the experimental lab whirling with the sounds of belt sanders and power saws. That, after all, is what real design studios do.

Awards/Recognition
Award for Design Excellence, ID magazine, 1970, 71, 73, 74
The Governor's Award, Design Michigan Exhibition, 1977
IBD and IDSA awards for casegoods, 1980
IBD Gold Award for Equa chair, 1984
Time magazine, Design: Best of the Decade for Equa chair, 1990

- From HermanMiller.com

View other products by Don Chadwick

Bill Stumpf

Designer: Bill Stumpf

Bill Stumpf once said, "I work best when I'm pushed to the edge. When I'm at the point where my pride is subdued, where I'm an innocent again. Herman Miller knows how to push me that way, mainly because the company still believes -- years after D.J. De Pree first told me -- that good design isn't just good business, it's a moral obligation. Now that's pressure."

Stumpf's association with Herman Miller began in 1970 when he joined the staff of the Herman Miller Research Corporation. After establishing his own firm in 1972, Stumpf created the Ergon chair, the first ergonomic work chair. Later, in collaboration with Don Chadwick, he produced the groundbreaking Equa and iconic Aeron chairs. He also was principal designer for the Ethospace system.

"I enjoy myself, and I do it through design," Stumpf declared in an interview a few years ago. "I love beauty, and I love the availability of beautiful things and useful things immediately around me."

When he looked around, though, too often he saw design that "denies the human spirit," architecture that acknowledged money and not people, offices that were "hermetically sealed in artificial space." He constantly battled against such designed indignity -- a battle that began in the 1960s at the University of Wisconsin.

"Everything goes back to those days at the University of Wisconsin," he said recently, referring to the postgraduate years he spent studying and teaching at the university's Environmental Design Center. "Everything was about freeing up the body, designing away constraints."

It was there where Stumpf, working with specialists in orthopedic and vascular medicine, conducted extensive research into ways people sit -- and the ways they should sit. In 1974, Herman Miller commissioned him to apply his research to office seating. Two years later, the Ergon chair was introduced.

During his lifetime Stumpf -- a key figure in Herman Miller's transformation into a research-based, problem-solving innovator -- received numerous awards for this work. Most recently, he was named the winner of the 2006 National Design Award in Product Design, an award presented by the Smithsonian's Cooper-Hewitt, National Design Museum.

Awards/Recognition
ASID Award for Ergon seating, 1976
ID magazine "Designer of the 70s," 1979
IBD Gold Award for Equa chair, 1984
IBD Gold Award for Ethospace interiors, 1985
Time magazine, Design: Best of the Decade for Equa chair, 1990
Cooper-Hewitt National Design Awards, Product Design winner, 2006

- from Herman Miller.com

View other products by Bill Stumpf

Herman Miller

Manufacturer: Herman Miller

Herman Miller®. Designing and building a better world around you.

Herman Miller has been dedicated to design for more than 75 years. With a design legacy that began under the leadership of Gilbert Rohde and George Nelson in the 1930s and 40s, the company gained a worldwide following for its modern furniture collection by the early 1950s, with chairs, sofas and tables for home and office by designers like Charles & Ray Eames, Alexander Girard, George Nelson, and Isamu Noguchi. These icons of modern design developed products that still endure today. And, through continued innovation at the company and a new generation of designers and ideas, the products that Herman Miller makes today will endure for decades to come.

Herman Miller works for a better world around you. They do this by designing furnishings that improve the human experience - from pioneering the way for ergonomic office seating and furniture to stewarding environmental leadership in its business and manufacturing processes, product material useage and product life cycles. Herman Miller's longstanding commitment to the world around us continues to drive design solutions for the modern home and workspace. The company continues to develop its designer relationships with names like Yves Behar, Jeff Weber and Studio 7 adding lighting, storage and office collections to its catalog of design classics.

View other products from Herman Miller
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