Note: This product is no longer available.
Design by George Nelson, 1958.
By Herman Miller.
A natural, functional piece for the Swag Leg Line. The look of this piece is light-scaled and sculpted. Ingenious engineering merges four legs into a center post with quad footing. For the shell of his Swag Leg Chair, George Nelson got permission from Charles and Ray Eames to use the patented process they developed for molding plastic. Nelson took the process a step further and created separate seat and back shells that he glued together. The chair shell flexes with the sitter and prevents heat buildup. Wide, flat armrests allow forearms to rest comfortably. With 21st century innovations in technology and material, today's shells are fully authentic and made of recyclable polypropylene.
The Nelson Swag Molded Chair is a revival from an historic collection by George Nelson. Introduced in 1958, the group's evocative chairs, tables, and desks have a look, scale, and function that are right for today. These classic, sculpted designs can be used individually or together in the home or office, from meeting spaces to offices to dining areas.
The group features tops offered in White Laminate or Walnut Veneer with a Walnut Veneer edge band that coordinates with the solid walnut stretcher. Shells are available in White, Grey, or Black, with the option to order the seat and back in any combination of colors. Select from Chrome, White, or Black for the leg finish.
Material(s): Molded recyclable polypropylene, cast aluminum and steel
The chairs looked lovely in the home-client very pleased.
By: Doris C., Designer (Stuart, FL)
The metal foot on the leg was scratching client's tile floor. Not condusive to floor and Herman Miller had no alternative. Purchased plastic base for foot elsewhere.
Perfect chair for all rooms !
By: Nigel , Designer (New York)
Love the chair .....
By: Vivien T., Homeowner (NYC)
but like a previous reviewer made the mistake of not noticing the base color in your order form. I had only ever seen it with chrome legs & wasn't aware it came with white. So I'm stuck with it....lesson learned.
Its a beautiful product
By: Jenny P., Designer (miami, Fl)
I find the product great except for the fact that the presentation on your websibte poor as I ordered the wrong base color because it's a bit confusing the way it's presented. The finish chosen should show on the photo so you know excatly how the product looks and therefore you cannot make a mistake but it does not. I ended up with the wrong leg color by mistake because of that.
By: Olaf A., Homeowner (NYC)
This Nelson chairs on the most comfortable chairs I ever found; the secret is that it's provide amazing lumbar support. It's very well made and the classic design goes with almost any interior. I am excited about this chair
I like it
By: Tai O., Architect (California)
Basically I'm a fun of George Nelson so anyway I like it
Designer: George Nelson
An early zap came in the 1930s, when he was an architectural student in Rome. Before returning home, an idea struck him: He would travel Europe and interview leading modern architects, hoping to get the articles published in the U.S. He succeeded, and in the process introduced the U.S. design community to the European avant-garde. This set in motion a sequence of what he called "lucky" career breaks that were really the inevitable outcomes of his brilliance as a designer, teacher, and author.
The first break was being named an editor of Architectural Forum magazine. Working on a story there in 1942, he was looking at aerial photos of blighted cities when--zap!--he developed the concept of the downtown pedestrian mall, which was unveiled in the Saturday Evening Post.
Soon after, another zap led to the Storagewall, the first modular storage system and a forerunner of systems furniture. The Storagewall was showcased in a 1945 Life magazine article, causing a sensation in the furniture industry. Herman Miller founder D.J. DePree saw the article and was so impressed that he paid a visit to Nelson in New York and convinced him to be his director of design, which spurred Nelson to found his design firm, George Nelson & Associates. The warm personal and professional relationship between Nelson and DePree yielded a stunning range of products, from the playful Marshmallow Sofa to the first L-shaped desk, a precursor of today's workstation.
Nelson once wrote that Herman Miller "is not playing follow-the-leader." That's one reason why George Nelson & Associates worked with Herman Miller for over 25 years as they shepherded design into the modern era.
During this same period, George Nelson & Associates also created many landmark designs of products, showrooms, and exhibitions for a variety of companies and organizations.
Nelson said that for a designer to deal creatively with human needs, "he must first make a radical, conscious break with all values he identifies as antihuman." Designers also must constantly be aware of the consequences of their actions on people and society. In fact, he declared that "total design is nothing more or less than a process of relating everything to everything." So he said that rather than specializing, designers must cultivate a broad base of knowledge and understanding.
Prix de Rome for architecture, 1932
Best Office of the Year, New York Times, 1953
Gold Medal, Art Directors Club of New York, 1953
Good Design Award, Museum of Modern Art, 1954
Trailblazer Award, National Home Furnishings League, 1954
Chairman, International Design Conference in Aspen, 1965, 1982
Scholar in Residence, Smithsonian Institution National Museum of Design, 1984
Lifetime Achievement Award, American Institute of Graphic Arts, 1991
Permanent collections of the Museum of Modern Art, Brooklyn Museum of Art, Philadelphia Museum of Art
Nelson did so as few are able, and, with the help of well-timed zaps, he helped define modern, humane design.
- from HermanMiller.comView other products by George Nelson
Manufacturer: Herman Miller
Herman Miller has been dedicated to design for more than 75 years. With a design legacy that began under the leadership of Gilbert Rohde and George Nelson in the 1930s and 40s, the company gained a worldwide following for its modern furniture collection by the early 1950s, with chairs, sofas and tables for home and office by designers like Charles & Ray Eames, Alexander Girard, George Nelson, and Isamu Noguchi. These icons of modern design developed products that still endure today. And, through continued innovation at the company and a new generation of designers and ideas, the products that Herman Miller makes today will endure for decades to come.
Herman Miller works for a better world around you. They do this by designing furnishings that improve the human experience - from pioneering the way for ergonomic office seating and furniture to stewarding environmental leadership in its business and manufacturing processes, product material useage and product life cycles. Herman Miller's longstanding commitment to the world around us continues to drive design solutions for the modern home and workspace. The company continues to develop its designer relationships with names like Yves Behar, Jeff Weber and Studio 7 adding lighting, storage and office collections to its catalog of design classics.View other products from Herman Miller