Before it was Herman Miller, it was Michigan Star Furniture Company and D.J. De Pree had been working there for 4 years as a clerk, after its opening in 1905. In an effort to aid his son-in-law to buy the company, West Michigan businessman, Herman Miller bought Michigan Star Furniture Company in 1923. Subsequently, the company was renamed Herman Miller and within due time the Herman Miller brand name became synonymous with "modern" furniture as the company grew and employed well known designers such as: George Nelson and Charles and Ray Eames; under who the company would produce pieces that would become some of the world's most iconic and well known designs.
Since the company's re-branding, collaborations with designers like Isamu Noguchi, Alexander Girard, Robert Propst, Bill Stumpf, Don Chadwick, Ayse Birsel, Studio 7.5, Yves Behar, Doug Ball, and etc have aided with the company's growth; turning Herman Miller into one of the most influential brands in today's design market. Herman Miller furniture is well recognized around the world for elevating the design of any commercial or residential setting. As a leading brand that boasts modern and mid-century modern designs, Herman Miller has effectively put itself on the map as a key and notable brand that continues to stay at the forefront of producing great designs that will not only maintain relevance but quality as well. From pioneering ergonomic office furniture to stewarding environmental leadership in business strategy and manufacturing processes, Herman Miller's commitment to quality and the world around us continues to be a factor in driving their design solutions for the modern home and workspace. And with proven, all-around reputable pieces, it is without a doubt that any authentic Herman Miller furniture will guarantee lasting excellence throughout the decades to come.
When Burkhard Schmitz, Claudia Plikat, Nicolai Neubert, and Carola Zwick founded Studio 7.5 in Berlin, Germany, they were looking for freedom to work on projects that interested them, freedom from rules, roles, and titles.
And that's pretty much how they've operated ever since. "There are no bosses here," says the group, which also now includes Carola's brother Roland. Preferring to be heard as a single voice, they continue, "Everybody does everything. That's how we cultivate ideas and maintain our openness and curiosity."
When they began their partnership in 1992, right after the unification of Germany, office space in Berlin was extremely hard to find, so they thought about taking another, freer route: renting a 7.5 ton truck that required no special permit to drive. "We thought we could put our model shop in it, and drive from project site to project site," they explain. Thus, the name "Studio 7.5" was born. And although they didn't actually do it--they were able to locate office space after all--the name stuck.
When designing products for clients, Studio 7.5 moves quickly and smartly, too, progressing from the concept stage to the model shop, sometimes within a day or two, where they begin to create rough prototypes of the "thing," whatever it may be.
And like kids let loose with a pile of clay, this is their favorite activity.
"You really have to work in three dimensions when designing products," they say, "so we don't spend much time on fancy renderings. Computer drawings just don't give you the feel, the touch, the smell."
And when disagreements come up--as they certainly must in such a collaborative endeavor--who has the final say? "We discuss the issue and we always try to let the best idea win," they explain. "You'd think it would be complicated with four or five people, but if we have two people in an argument, the others can be referees who say, 'You know, I think she's right' or 'I think he's right.' So it actually makes it easier because you get more input."
One thing they all agree on: They love designing furniture. "What's so interesting about designing furniture as opposed to, say, a tape recorder, is that the designer who designs the recorder comes in last in the chain of command. It's just the beautification or 'packaging.' With furniture, it's far more holistic."
They find designing office chairs in particular to be the most rewarding. "We define not only how a chair looks but how it performs, even down to the characteristics of the tilt. We're very involved with its physical behavior, because beauty is not only what you see, it's also what you feel."
The joy the group derives from its work is obvious. As Burkhard, Nicolai, and Carola, who are also university professors, tell their students, "If you want to be rich, go work in a bank. If you want to be famous, go rob the bank. But if creating things is fun for you, become a designer and you'll be a king. It's the best profession in the world."
Especially when you have the freedom to do it your way.
- from HermanMiller.comView other products by Studio 7.5