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Girard Table

By Alexander Girard, from Knoll
$991.00
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Table Top
Leg Finish
111 - Jet Black Powder Coat
Note
This item is custom made just for you. As such, it is non-cancellable and non-returnable.

Lead Time

Made to order. Ships within 6-8 weeks.

Qty:

Design by Alexander Girard, 1948.
By Knoll.

Designed in 1948 for Knoll, the unique free form shape of the Girard Tables holds a silhouette distinctive to mid-century modern classics: clean lines merged with organic shapes. Legs are cold-roll steel tubes with medal welding in black powder coat. The top, available in several veneer finishes features a 0.75" Baltic birch core and a 45° beveled edge.

Dimensions
  • 59"W X 26"D X 16"H
Material(s)
Cold-roll steel tubes, Baltic birch core table top with wood veneer
Manufacturer Specifications
Click to download specifications.
Notes
Top is 0.75" Baltic birch core with either plain slice bookmatch maple, cherry or ebonized veneer. Top has a 45° beveled edge.
Item Number
KNL-108
Model(s)
108

Design by Alexander Girard, 1948.
By Knoll.

Designed in 1948 for Knoll, the unique free form shape of the Girard Tables holds a silhouette distinctive to mid-century modern classics: clean lines merged with organic shapes. Legs are cold-roll steel tubes with medal welding in black powder coat. The top, available in several veneer finishes features a 0.75" Baltic birch core and a 45° beveled edge.

Knoll

Brand Beginnings Knoll was founded in 1938 by Hans and Florence Knoll who sought to create new types of furniture and environments for the home and workplace. Their approach was to join craftsmanship with technology through the use of design and to create beautiful home furnishings that stood the test of time visually, functionally and practically. The pair sought out designers willing to change the landscape of modern design, daring to ask how furniture could work better. These landmark collaborations, with pioneering modernists like Eero Saarinen, Ludwig Mies van der Rohe, Harry Bertoia and Richard Schultz built a brand that today contains many of the hallmarks of modern design.

Knoll Today Knoll enjoys brand recognition throughout the world for its modern classics as well as groundbreaking new products formulated under new deigner partnerships. Few companies can match the array of Knoll products, which combine a modernist aesthetic with residential appeal. This point of view nurtured by Florence Knoll, has become the trademark of Knoll design. Today, it connects to a new generation seeking workplaces and homes that are comfortable for and beautiful for everyday living.

A Signature Piece The highly coveted Barcelona® Chair is, with little doubt, the signature Knoll piece. Designed in 1929 by Ludwig Mies van der Rohe, it is one of the most recognized objects of the last century, and an icon of the modern movement. Skilled craftsman construct this exquisite chair by hand every day. From leather produced from a single cowhide, 40 individual leather panels are cut, hand-welted, and hand-tufted with leather buttons to upholster the chair. Premium cushions are highly resilient with a down-like softness that surrounds the sitter in luxurious comfort. Cushions are suspended by upholstery straps in cowhide belting leather over a metal frame that is hand-ground and hand-buffed to a mirror finish. Meticulously detailed, Barcelona continues to appeal to customers worldwide some 85 years after its introduction.

Why Knoll? The Knoll names offers a rich design history – a legacy of iconic designers and inventive new collaborations. Their focus on quality and responsible manufacturing means that each piece transcends multiple generations in both use and appeal. Knoll offers furniture, accessories, textiles, felts and leathers that stimulate the senses and allow you to express who you are and what you value. They take great pride in creating the best possible product and the happiest possible customer.

See more from Knoll

Alexander Girard

Born in New York City and raised in Florence, Italy, Girard was educated in Europe as an architect. Returning to the United States in 1932, his designs defined a new kind of "opulent modernism," a look that became synonymous with 1960's America. His pioneering work in fabric design as well as his innovative commercial and residential interiors, captivated the public with their theatricality. Girard described himself as "a reasonable and sane functionalist, tempered by irrational frivolity."

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