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Lane Halogen Wall Sconce

By Alfredo Haberli, from Luceplan
$328.50
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Design by Alfredo Häberli, 2007.
By Luceplan.

The Lane Halogen Wall Sconce is a neutral object for illuminating a wall with elegance, comfort and functionality. Lane Wall Sconce is a strip made of aluminum which incorporates and at the same time releases a pleasant indirect light, upward and downward on the wall.

Fixture is equipped with an additional plate to cover standard junction box, not pictured. Available in White, Painted Aluminum or Polished Aluminum.

Dimensions
  • 8.7" W X 3.1" H X 3.5" Extension
Material(s)
Aluminum
Lamp Type
HALOGEN
Bulbs
1 X 150W 120V Type T RSC base linear halogen lamp (not included)
Listing
UL, CUL, ADA
Item Number
LPN-LANE-HALOGEN-WALL-SCONCE
Model(s)
1D6400000519 1D6400000502 1D6400000520

Design by Alfredo Häberli, 2007.
By Luceplan.

The Lane Halogen Wall Sconce is a neutral object for illuminating a wall with elegance, comfort and functionality. Lane Wall Sconce is a strip made of aluminum which incorporates and at the same time releases a pleasant indirect light, upward and downward on the wall.

Fixture is equipped with an additional plate to cover standard junction box, not pictured. Available in White, Painted Aluminum or Polished Aluminum.

Luceplan Italian Lighting

Luceplan was founded in 1978 by Italian architects Riccardo Sarfatti, Sandra Severi, and Paolo Rizzatto to custom design lighting fixtures for the commercial and industrial sectors in Europe. But with designs that also appealed to the residential market, Luceplan has created products with this market in mind since 1981. Merging new design and technological solutions with enduring style, quality, function, and efficiency, Luceplan products are extremely popular in Europe and have been available in the U.S. since 1978.

See more from Luceplan

Alfredo Haberli

Alfredo Häberli was born in 1964 in Buenos Aires, Argentina. He studied industrial design in Switzerland. Today, he is a well-known international designer based in Zurich. In his designs, Häberli successfully combines tradition and renewal. There is joy and energy in his designs.

The human being is the starting point of Häberli's design process. His objects and structures are designed to be used. He is unprejudiced and inventive in his observation of the actual situation in which an object is used and does not create form for the sake of it.

Based on his insights, Häberli designs changes to the archetypes of objects that have developed through the times, which makes the everyday objects around people fit this time and the situation they are used in precisely.

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